The observing eye
da-eYe is the observing eye of the World of Sama. Max Dana first drew him on the walls of Paris in 1986. Whenever a graffiti caught her eye, she left da-eYe beside it, with a wink and always the same message: “I was there, I've seen you and your work.”
He was a nod from one passer-by to another, a sign of approval left for whoever had painted there first, and never a tag claiming the wall.
Nothing was kept
A graffiti is meant to disappear: painted over, washed away, buried under the next one. A few photographs of da-eYe were taken at the time. None of them has survived, and none of the walls either.
What remains are the places.
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Photo: Poudou99 / Wikimedia Commons, CC BY-SA 4.0, cropped La Défense
The RER station and the concrete underworld of the business district.
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Photo: Steven Strehl / Wikimedia Commons, CC BY-SA 3.0, cropped Montparnasse
The slabs and passages around the tower, another gathering point of the time.
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Photo: H. Grobe / Wikimedia Commons, CC BY 3.0, cropped Trocadéro
The esplanade facing the Eiffel Tower, where Paris came to skate and meet in the 1980s.
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Photo: Ros_K Photographie / Wikimedia Commons, CC BY 2.0, cropped Piscine Molitor
The Art Deco swimming pool, closed in 1989 and left abandoned, its walls soon covered in graffiti.
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Photo: Britchi Mirela / Wikimedia Commons, CC BY-SA 3.0, cropped The last wallRue de Verneuil
The wall of Serge Gainsbourg's house, covered in tributes in 1991. The last public da-eYe.
After the walls
In the early 1990s, after the wall of rue de Verneuil, da-eYe left the street. He moved into the World of Sama: into Max Dana's drawings, the pages of The Sama Gazette, and the Sama Airship, where da-eYe Jr. now travels the Many Worlds with Max Von Sama.
Mr. da-eYe is forty now. Still watching, still noticing, still there.
Seen everywhere
Off the walls, da-eYe never stopped watching. He turns up on canvas, on a coat, on an old door, underfoot, and in places that may or may not exist. Wherever you look, he has probably seen you first.
Lending an eye
Long after the walls, da-eYe kept showing up where it mattered, for causes Max Dana cares about and for the people who inspired her.
“I was there, I've seen you and your work.”da-eYe